For this piece, I copied this Van Gogh painting for the most part. However, I decided that I would add in Van Gogh himself, on his way to paint the piece.
To properly represent both Van Gogh’s painting and likeness, I wanted to do a copy not only in subject matter but in art style and technique. As such, I painted this in oils using a palette knife (like the one on the right in this pic). In total, I only used two tools for this: a palette knife, and the small paintbrush I used to sign it.
I worked back-to-front: I painted the sky first, followed by the distant landscape, then worked forward until I finished with Van Gogh himself. Since things in the back are overlapped by things in the front, I painted the things in the back first and painted the closer things over top of them.
Painting Van Gogh in there was hard, but not for the reasons you might think. I’m very solid at figure drawing, so drawing a human was pretty easy. The problem arose from trying to paint Van Gogh in his own style, when he wasn’t a central part of the piece. He did self-portraits (actually he did tons), but he painted himself as the center of those pieces. Here, I was trying to paint him small, as almost an afterthought.
As such, I tried to copy Van Gogh’s style of drawing figures, with not a lot of success. At first I did him in the style of his self-portraits, but it was too detailed and realistic. I was very happy with this first version artistically, but it didn’t fit so I scrubbed it out. I tried to get some vibrant highlights and shadows in the second version, but that still didn’t quite fit stylistically. Finally, I just blocked in some color and gave it an immensely simple white outline where the light was coming from. That seemed to do it, so that’s the finished version.
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